Surrounding in this post you can see screenshots and frames from the final animation (/process). The lighting that I decided to use was only the image above. I used a spot light during the Charleston dance to highlight the character in the setting but also to show that she is the center – she is dancing and the light is on her as she makes her appearance as a free women (as the girls/ flappers of 1920s were more free and excited.) It also created the atmosphere of a threatre. Below is another idea I had of placing a light at the character to show the cast of window light. It worked really well – although the spotlight wouldn’t cover the entire length of the window it added a really nice effect and exaggerated the idea that I had that women were expected to stay inside/ at home – and the men were free outside. The light shows how she is tasting it as she plans her ‘Vote for women’ stage. Due to time I didn’t use this in the final animation – but here it is.
Above is the finished characters made for the Charleston and corset scene. When making the different characters and scenes we used a character base that was made my Chanel. It has different layers for all the parts that were to be animated. Therefore it took some time to rig. However it meant that we could include pieces that would be animated with overlap such as the hair/ the tassels on the dress. Above the character has changed from the original sketch. I actually made that our fit (See below) but when reviewing it from the animation test – it didn’t feel that 1920s (it wasn’t obvious) therefore I designed several more – looked at some of the other outfits I had sketched and come up the one above. The hair I have made into a fuller bob so I could animate it more, and tassels to the skirt to animate. I decided to change the colours to that of the Suffragette character/ the Women’s movement. (as this scene is meant to highlight freedom — like the movement.) It also worked better with the background. I added the 1920s make up.
Above is the suffragette character. I created her costume from my design – I researched into the costume of this period and from pictures of the actual suffragettes I produced this character. She has the sash and sign that highlights what movement she is – straight away to the audience. She uses the purple, green and white (the colours of the movement.) To symbolize this further. She had the most amount of costumes as I had to so her from six different angles. I am happy with her – she does have a bushy feather on her hat but it isn’t visible on the background.
Above are the banners and signs that I created for the scene when a large group of the women are walking to fight for the votes for women. These are important as they describe exactly what is happening for the audience. They were based on real signs from the era. A vintage looking font was used on the banners and signs to make sure it look even more of this era. And the flags have the colours (again) for the movement.
Above is the set up of the crowd for the second version. In the first version the characters looked a bit to similar so I had to change the hair, eye colour and that colours. I organised the character together so they could easily be animated. I had to make sure that not two similar character were together and that a sign or banner was visible at one time on the screen. I’m really happy about this as the characters work well together. On the first image you can see the main character of this part at the front with her sign so it connects together.
Above are all the characters for the crowd scene – I did change the colours of some of them but these are the original people. I made to angles so that the crowd has different perspectives and not look to flat. They all follow the same colour palette to ensure that the audience understand they are from the same movement. I used the designs for my main character that I didn’t use for the crowd.
Above are an example of the facial expression that were used. They had to be very simple as I used the pin too to move around the mouths. The eyes had a cut layer where the iris’s could move. I only used three or four mouths so that I wouldn’t have many layers.
Lastly, other than the suffragette character (who is also in the scene with these three) these are the last characters. The first is a women in her underwear – she has a larger ‘chest’ and she fuller lips/ blonde hair – To capture the male gaze idea. She is going to be walking and then realizing (looking to camera/audience) that she is being watched and covers herself up. I have used red to highlight ‘sexy’ nature. The second I created of the first women to fly across the Atlantic ocean – she has a pilot outfit on and is going to be holding a pilot tool – in the background aeroplanes will be flying behind her (so hopefully people can recognize her.) The last character is of Marie Curie, I created this outfit from Mei’s section – she didn’t do a side version and I added the beaker which will be holding acid of some sort. This way it will connect with the audio ‘scientific’.
The several images included above are the different versions/ early sketches and propps that I created for the late Victorian room for my suffragette. I wanted it to be a dark room – as to symbolize how she is trapped. This is emphasized more with the window light casting a shadow over the floor – like a prison. Compared to the background outside this room is muddy and small. I used the same colours of Green, purple and white throughout the suffragette part – I really wanted to emphasise the movement (a hidden message.) I needed a dark room, so choose darker tones. I also looked at the Arriety bedroom made by Studio Ghibli – I stumbled across this image and it was a perfect reference as the room is dark and uses similar colour palette. With this I created the colour version.
Above is the view from the window that the suffragette is looking out form. She is too look down and see the men debating about upcoming election. This is very important in capturing the whole ‘point’ of the scene. Therefore it had to be clear. I created many sketches and colour tests. In the end I chose a orange colour which is completely different to the suffragette room – to show a contrast between her dark and trapped word. She is kept inside whereas the men let out to be free. I wanted the sky large to show the space they had to be free. Chanel helped to finish this background as I ran out of time nearer the ending – she had a good software that enabled her to draw more to the style. She draw over the sketch.
This is the finished background for the Charleston part. I wanted my Charleston part to be on stage to show how women are often forced to be looked at and serve men – during these times. Secondly, she is going to be dancing to highlight the freedom of the 1920s (wild flapper girls) – the red is dramatic and bold to capture this. I also will have a green corset flying in so this contrast really well. I used several references for this scene – because I was worried with making it look like a stage. You can see above several versions. I was also worried about fitting the character in without making her seem too small as we need to fit her whole body in. I plan on putting a light onto the curtain to focus on her.
The image above shows ‘parliament’ big ben – although it is not to obvious it has a style. I decided to place the angle looking up to contrast with the angle when the suffragette is looking down at the window. Furthermore the sky is large her to show the freedom they are reaching for. A new beginning. The colours in this scene are the same in the male crowd one – to show how the suffragettes / women are trying to find rights in a male world.
Above are some background thumbnails I created to understand what different angles I should use for different parts. I used images on google for angles looking down at a city as this was the most challenging.
The background and colour have definitely been the most difficult aspect of our decision making in the group animation so far – I think we all have different ideas imagined in our heads but so far we haven’t really chosen a decided colour – with concept art. We had a group meeting on week 6 to sort out this issue – however we also have been working on making all the pieces of our character to start the animation process – and one member of our group unfortunately could not be here.
In the meeting on week six we decided that we wanted to try and use tones of a selected few colours for our different scenes. We decided on using different colours but using the same tonal value for our scenes so that the still transcend well. Before making any final decisions I suggested that we decide after each creating a couple of thumbnails with the colour in use with our backgrounds. I tried making these however I’m not fully happy with the outcome so I’m going to speak to the rest of my group this week and see what they have planned.
Above is some background ideas and items for the first scene. I looked into some Victorian style rooms – here I drew down some of the furniture. I also tried to capture some light source into these images as it gives an extra mood and atmosphere to the scene. She is looking out the window into a world that at the moment is able to join – the light from the window is reflecting over her body into the ‘dark room’. I really like this layout however I might have to make it a lot more simple and work out the perspective a little better. The artists that we have looked at use flat colours and simple objects/shapes to represents items in the background.
The colour that I was thinking for this scene was Purple, green and white – as this is the colours the suffragists used in there designs/ flags, sashes, posters and etc. I know that if not done correctly then it might look a bit ‘tacky’ or not that great. So I want to pick the right type of purple and green – maybe use throughout the scene or just have the scene tinted accordingly. The colour palette below the badge, shows a variety of shades – maybe a bit too bright but I want to experiment.
For the Charleston scene I want to use a curtain and so reds and maybe contrasting green in the costume of the girl so – above are just some more doodles and colour palettes. The three digital thumbnails were a away for me to play around with the tone and to make a mock up of some of the ideas – to see if they were successful. However I’m not to keen of them. The green one is awful and so I think I might stick to a realistic colours with hints of these colours in the scene instead.
I go the paints out, and decided to create these different colour pallettes and see which tones of green and purple I think work well – ignore the thumbnails next to it . It was just an experiment to see how they would look together – however they turned out quite dark. The colour palette below that is a contrasting colours yellow and blue/ green and red – just cause I wanted to play about with them and understand how they would look together. These colour palette are very vibrant which I light however I don’t think that they work together than well – so maybe a lighter tone will be better suited.
Above and below are the independent sketches that I made for my characters I have been looking at. I positioned them in different poses related to the character to also help me understand how I would position it within a filmic shot. I will be doing a dance for the Charleston section and so I have used the Charleston poses – it will be difficult to animate so I need a simple move that will reflect the Charleston. From this I can identify this shot.
These are my different variation of the hair styles for my 1920s hairstyle. I also drew some accessories. I circled my favourite.
These are some costume ideas I sketched up.
The corset sketches – how it will interact with the costume – also some early facial expression experiments.
different costumes for the 1920s character and action poses. Playing around with hair. Another page of corset ideas.
This costume was difficult for me because I felt it was difficult to achieve the straight like look of the 1920s dress as our body shape for our character design is pear shape. – in the end I went for a simple low waist cut dress like so – im going to include a head piece. Not sure about the colours still – so will play around when creating the clothes – the scene will be most red and maroons so I don’t want her to get lost in the scene.
When thinking about the costume and colour pallete for the suffogette lady – I took a lot of inspiration from the colours used widely for the movement – this being purple, white and green. I really liked this idea od the colours each meaning a different part about the suffogettes. I used all different tones to create a mixture of costume colours. The costume just needed to be of the right era and I played around with the colours and designs. I decided on a dress / colour pallet like the one main above as the purple gives her a wise / elegant look – the sash is included so that the audience understand her purpose. After collecting some research like the selection below and used my previous sketches to help me – I created dozens of expressions that could be useful within my scene. We will be using After effects to create our animation so therefore we cannot easily change the facial expression – and will need to pick only a couple of these above. I have put a star next to the ones I think will make it to the animation. I will send Chanel our artist to create the expressions – as she has created a particular style. – She will trace over the face. I must note for the 1920s girl she will be wearing makeup – circle lip and dark eyelashes – just to emphasis the 1920s style further.
When creating the expression of the character, like in the drawings below – I really want to be able to get across the feelings of the character as she moves aronnd. What is particulary hard is the short time to express emotion – I found it difficult to come up with expressions for the corset scene – where my character must appear surprised then in pain and then to a faint. Above is several references that I looked at to help me to get a better understanding of what these expressions may look like in reality. They are videos from YouTube where a woman is having her corset laced up. Above are the first sketches I made of the facial expressions that my character could portray in the different scenes within my part of the group animation. They are just really quick ideas – I circled some of the ones that I liked and hopefully can progress forward.
Above is the storyboard which was my final version of the story. It shows the camera angles that I will be using to animate. I thought about the way the camera would be used to create a greater impact – for example the close up of the face to capture the emotion of the suffragette who realizes she has no power and is stuck – how large the men’s world is compared to her small confined space of a room. The camera looking down at the men then up at her and the women are contrasting to show how things are changing and to compare how they both are not outside. The Charleston section is better displayed below.
Move examples of me just playing around with the camera angles – these are all different camera angles and ideas.
Similar to the first image this is shows the exact amount of scenes and what will be happening all the other images here show me playing around with those camera angles before the final storyboard. Ill let you look down to see all the different ideas I generated before arriving at the top storyboard. Below are all the pages:
The corset tighten scene.
Suffragette looking out the window camera angles & the corset tighten scene.
Entire storyboard version
Suffragette looking out of the window.
These are the character mood boards I created to get a better understanding of how the costumes during the period of time that I will be making. Directly below is the corset. I wanted to get a better understanding of that ‘industrial’ looking corset and how tight they could go – this was actually disturbing to see. It shows how the idea of beauty would permantly destroy the women’s body – it was good to research as it meant I could go into animating with more knowledge. My corset will not be this detailed but implied.
I actually in the end did not create male characters as there was too many characters to create – but here is the mood board I put together of the men that could have been in the voting section.
The moodboard below are images I collected from google. They show poses and clothing belonging to the 1920s era. I used this a great deal when deciding on the character costume and behavior for the final animation. I really like the dance poses of the Charleston and hope I can use such fun and excitement in my work.
Below are some gifs that show camera angles I could use – the Charleston is mainly for the feet and so a close up could make animating a bit easier (after effects puppets can be restricting) and could create a nice impact. Below that you can see the entire body which Is also nice as you can see the ladies facial expression as she dances this very joyful dance. I like the two different colours too as it brings her out of the red background. I might think about doing this.